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Orlando Fringe Festival reviews: Orlando Sentinel, May 9, 2024

Orlando Fringe Festival reviews: Orlando Sentinel, May 9, 2024
orlandosentinel.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from orlandosentinel.com Daily Mail and Mail on Sunday newspapers.

News – Fringe Radio – CKUW 95 9 FM

Coverage of the 2023 Fringe Festival on CKUW 95.9fm. Eat Your Arts And Vegetables (Thursdays 530pm to 6pm) did an interviewed Christine Lesiak and Ian Walker Interview for their Fringe play “FOR SCIENCE” They ended up posting the interview on their website here Tune into a special live broadcast of Eat Your Arts & Vegetables on July 20th at 530pm with Gwen Coburn for her Fringe show “Sad Girl Songs: A Comedy Show”, a “musical not-your-typical-comedy is about the #MeToo movement in entertainment, and how our language and stories shape rape culture Brother Kelly Hughes of the Ivory Tower will be doing live interviews of Fringe performers through the Fringe Festival Tuesday July 18th 11am to 1pm Friday July 21st 2 to 3pm Saturday July 22nd 1 to 3pm Sunday July 23rd 3 to 5pm Monday July 24th 3 to 4pm Tuesday July 25th 11am to 1pm Friday July 28th 2 to 3pm Saturday July 29th 1 to 3pm

FRINGE REVIEW: Sad Girl Songs has hysterics and pointed observations

Orlando Fringe Festival reviews, Orlando Sentinel May 18

Olivia Rodrigo s Drivers License and teen-girl melodrama

Print Before she’s even sung a word, Olivia Rodrigo newly heartbroken and eager to wallow in it has beckoned the listener deep into her personal space. “Drivers License,” the smash debut single by this 18-year-old actor and singer, opens with the sound of a car engine revving to life. As we hear the driver swing her door shut, the dinging of the car’s alarm morphs into a gently pulsing piano figure, and suddenly we’re in the passenger seat next to Rodrigo, who proceeds to unspool her tale of sorrow. “I got my driver’s license last week / Just like we always talked about,” she sings, “’Cause you were so excited for me / To finally drive up to your house.” Here a slightly sinister bass line enters the mix, promising trouble like a patch of black ice ahead. “But today I drove through the suburbs,” she continues, “Crying ’cause you weren’t around.” For that last line, her voice drops to a mournful whisper, each ripple and crack suffused with the s

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