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How Unwoman an independent movie on Jio Cinema is touching hearts of audiences and critics alike

PNN New Delhi [India] May 29 In the glamour of Indian cinema the small-budget movie Unwoman stands out as a film delivering message beautifully and without being preachy Directed by Pallavi Roy Sharma produced by Gunjan Goel and co-written by Pallavi and Susheel Sharman the story challenges old ideas about love and gender Pallavi Roy Sharma Unwoman shows love in a different light focusing on a relationship between a man and a transgender woman She has succeeded wonderfully on making a realistic film which also has a dose of entertainment and rustic humour Set in the rural landscape of Rajasthan the story revolves around Bhanwar whose lonely life changes when he meets Sanwri a transgender Kinner person What starts as a transactional relationship turns into an unusual love story but then love has its own challenges The film talks about bride-trafficking male-female skewed ratio LGBTQ rights and human vulnerability UnWoman showed that even men are victims of social pressure Gunjan Goel th

2 killed in head-on collision between motorcycles in UP

(This story has not been edited by THE WEEK and is auto-generated from a PTI

The White Tiger Review: Social Commentary With Real Teeth

The White Tiger Review: Social Commentary With Real Teeth The White Tiger Review: Social Commentary With Real Teeth The White Tiger Review: Although set, very specifically, in India, The White Tiger is an allegory that could take place anywhere, and that feels uncomfortably familiar. The White Tiger Review: A still from the film. (courtesy priyankachopra) Cast: Priyanka Chopra, Rajkummar Rao, Adarsh Gourav, Mahesh Manjrekar Director: Ramin Bahrani There s a sense of snarling menace implicit in The White Tiger, a subversive, sharp-toothed dramedy of upward social mobility by writer-director Ramin Bahrani ( 99 Homes), based on Aravind Adiga s best-selling 2008 novel, which won the Man Booker Prize. It s not just in the title, a metaphorical moniker for uniqueness slapped on the film s ambitious protagonist, a canny but impoverished low-caste Indian named Balram (Adarsh Gourav), as a child. It s there, lurking in every shadow of this dark rags-to-riches tale itself: a coi

Movie adaptation of The White Tiger is social commentary with real teeth

January 6, 2021 Adarsh Gourav, left, and Rajkummar Rao in “The White Tiger.” MUST CREDIT: Singh Tejinder/Netflix (via The Washington Post Syndication Service) There’s a sense of snarling menace implicit in “The White Tiger,” a subversive, sharp-toothed dramedy of upward social mobility by writer-director Ramin Bahrani (“99 Homes”), based on Aravind Adiga’s best-selling 2008 novel, which won the Man Booker Prize. It’s not just in the title, a metaphorical moniker for uniqueness slapped on the film’s ambitious protagonist, a canny but impoverished low-caste Indian named Balram (Adarsh Gourav), as a child. It’s there, lurking in every shadow of this dark rags-to-riches tale itself: a coiled threat to the traditional world order of haves and have-nots, just waiting to pounce.

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