The movie begins with Sadanand (Hanumanthe Gowda), a politician, making arrangements for his daughter Preethi’s (Sasya) marriage with Premanand (Pankaj Narayan) at a Kalyana Mantapa in Magadi Road. Ironically, Sadanand depends on Kabinipathi (Chidanand), a marriage contractor who has no control on anyone either in the kitchen or at the reception hall, to make arrangements. Mahananda (Shankar Ashwath), a former MLA of Hubballi, and his son Premanand and others arrive at the marriage hall.
Stating that Kannada people are known for tolerance and hospitality, Dr Shivarajkumar added that Kannada people should not defame themselves by having ill-will against farmers in neighbouring states. “I want to speak from the heart, certainly not from the mind. I am speaking from my heart. Some people may not like my speech.
Atreya’s storytelling is sharp and keeps the audience on the edge of their seats. The screenplay is structured into five intriguing chapters – Missing Pieces, Missing and Found, Truth or Dare, Hide and Seek, and Confession, each adding layers to the enigmatic tale.
All of us have to fight for our rights and livelihood. All of us are fighters in society. I want to tell the moviegoers that this movie has everything that is required to entertain the audiences. Vinod Prabhakar’s character has four shades. It is a regular action movie,’’ said director Nuthan Umesh.