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The Back Room: Things Fall Apart
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Georges Mathieu Was a Star of Postwar Art—and Then Disappeared Here s Why Top Galleries Are Investing Big to Revive His Market
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Georges Mathieu | Artnet
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Brave New World: Meet the New Generation of Art Collectors Share
Young, ambitious, educated and wealthy, a new generation of art collectors is taking the art world by storm.
Snapping up more works than ever before, a new and sharp-eyed generation of buyers is taking risks on emerging names and investing heavily in blue-chip artists. Beyond potential financial gains, these ambitious, educated and wealthy young people are also drawn to the prospect of joining the exclusive club that is the art world.
“The growth has just been phenomenal,” says Charlotte Raybaud, head of evening sale, 20th-century and contemporary art at Phillips Hong Kong, of the number of young art aficionados entering the market. “It’s also undeniable that art has become a very valuable alternative investment. While you should always collect [based on] your passion, it’s hard to not pay attention to the big prices that are being achieved at auction and in galleries.”
Calligraphy Rhapsody, a retrospective exhibition of the French oil painter Georges Mathieu, who died in 2012.
Since its inception last autumn, the sprawling, 105,000 sq ft cultural hotspot has featured work by artists including Mary Weatherford, Yayoi Kusama and Chris Huen Sin-kan.
The exhibition was co-presented by Adrian Cheng, founder of the K11 Group and K11 Art Foundation, and Alexandre Giorgini, consul general of France in Hong Kong and Macau, as part of a series of arts programmes to foster cross-cultural dialogue. Headlining the programme was
Calligraphy Rhapsody, curated by Catherine Kwai, founder of the Kwai Fung Hin Art Gallery.
The retrospective spanned Mathieu’s career from the 1950s to the 1990s, bringing together works loaned by private collectors from around the world. Mathieu’s pieces are known to dwarf viewers, but his painting Remembering the