In early January, as Broadway was settling in for its annual post-holiday slump, there was a glimmer of good news: the last week of December 2022 had been the
Recent shows’ visions of the future haven’t exactly been post-apocalyptic, with the violence and darkness that term implies. Instead, they have delighted in our disappearance, savored it.
A workshop presentation featuring singers Iarla Ó Lionáird and Gelsey Bell with an ensemble of Princeton musicians, in selections from Olagón, a new opera work composed by Dan Trueman, with text by Paul Muldoon. This performance serves to conclude the MPP219 Opera Performance course, with music direction by Gabriel Crouch, and the production directed by Mark DeChiazza.