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He had written “Breathe” after Eric Garner’s killing by New York police in 2014; it was his reflection on the notion of breath as a great equaliser, and as the source of Harris’ own powers as a trombonist. But at the start of this video, he turns to those affected by COVID-19. He offers the suite as “a sonic reflection for those who have passed, and those who are born,” Harris says. “We have to think about the lives of the people who are born in this period now. That’s a whole thing, the beginning and the end.” The performance was recorded in May, before George Floyd’s killing in Minneapolis and its nightmarish resonance with Garner’s death. By the time Harris’ video was released in June, protesters were constantly in the streets, and the suite’s original message had become painfully relevant again. But even in this new light, the poise and sensitivity that Harris had intentionally brought to this performance didn’t feel out of place.

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