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Take Five: New Music From Jazzmeia Horn, Kenny Garrett, Terence Blanchard, Kate McGarry, and Ken Vandermark
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Multi-time GRAMMY nominee
Kate McGarry, one of the country s premier jazz singers today per NPR, has teamed with renowned guitarist Keith Ganz (Harry Connick Jr, Luciana Souza) - her partner in life and music - for
What To Wear In The Dark, a new collaborative collection out September 3rd via Resilience Music Alliance. Teaming with Downbeat Critics Poll winner Gary Versace on keyboard, Blue Note recording artist Ron Miles on trumpet, and a host of jazz A-listers,
What To Wear In The Dark finds McGarry and Ganz using their decorated jazz backgrounds to offer imaginative and fresh perspectives on the indelible pop standards that have helped them transcend their own challenges.
Jazz Musicians Unite With One Goal: Celebrating Frank Kimbrough
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New Music Monday: Live at No Black Tie, Sing to the World, & Tough Baritones
Jeremy Monteiro-Jay Anderson-Lewis Nash Trio – “Live at No Black Tie-Kuala Lumpur”
Jeremy Monteiro is a jazz pianist, singer, composer, and music educator. In his native country he was named “Singapore’s King of Swing” by the local press. He was awarded the Cultural Medallion in 2002. Jeremy has played at jazz festivals all around the globe and has accompanied jazz giants touring Singapore. This recording displays how swinging he sounds in concert.
Benito Gonzalez – “Sing to the World”
The Venezuelan pianist Benito grew up in Caracas listening to the only jazz station of the capital city absorbing all he could which he added to his Venezuelan folk music traditions he learned form his parents-both musicians. As a young man, Gonzalez relocated to New York to further his jazz studies and begin his professional career. For his latest offering he is joined by Christian McBride, Nicholas Payt
13 March 2021
Brian Charette thinks like a jazz organist and like a rock and roll lover, both, so his latest recording for his four-woodwind sextet testifies.
On the one hand, Charette’s latest release,
Power from the Air, is a classic jazz organ session, with Charette’s Hammond B3 swelling, shimmering, and providing the bass lines as it grooves with drummer Brian Fishler, saxophone solos riding on top. The grooves are powerful and swinging you can tell that Charette has never skimped on the Jimmy Smith or Jimmy McGriff listening that Hammond B3 specialists need to have in their blood stream. It’s not just the organ prowess (and Charette has plenty of that), but it is the dedication to organ bands as hard charging jazz bands with a greasy sense of pop and shuffle in their style. “Fried Birds” opens the recording just like that: an uptempo blues that flies because Charette’s feet and Fishler’s snare and ride and like identical twins spurring each other on at every s
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