The 8th Youth Chess Composing Challenge is on the way! The youngest contributors to chess art (born 2001 and younger) were offered three different sections to inspire their creations till June 10, with five special prizes of 500 Euros vouchers each for the best representatives of the five most successful countries. The tradition of YCCC was established in 2016 to stimulate young minds and to mentor their work. | Pictured: Christopher Woojin Yoo | Photo: Eric Rosen
The finish of the 6th game of the World Championship match between Ding Liren and Ian Nepomniachtchi was impressive. In a tense and complicated position, Ding surprisingly advanced his d-pawn, and this small pawn advance was crucial to a spectacular mate that could have occurred in the game. The audience was impressed, the study composers were inspired. In his last "Study of the Month" column Siegfried Hornecker had a look at "Ding's Theme" in studies, in his current column he returns to this theme with further insights. | Photo: Ding Liren | Photo: Amruta Mokal
64 squares. For some they mean the world. In the past month, the World Congress for Chess Composition was held, as I quickly reported. Among the new books there was also the FIDE Album 2016-2018 (for a history of the FIDE Albums <a href="https://en.chessbase.com/post/study-of-the-month-2019-9">see our September 2019 article</a>) | Photo: Pixabay
In the third and final instalment of the Chess Artistry Adventure series, we bring you seven more studies, six of them originals, by world-class composers like Arpad Rusz, Amatzia Avni, Michael Pasman, and more. We also briefly discuss the composers and try to understand how they can turn positions from games into original compositions. Like in the previous article, we also have an assortment of flavours here. Some of the studies are concrete and tactical, while others are a bit on the technical side. However, regardless of style, each composition is deeply instructional, and you can be sure to come out wiser as a chess player if you go through them all.
The term "malyutka" - "baby" - is used for endgame studies with up to five pieces. The art of such studies is very old, but some modern composers extensively researched such positions. Obviously, endgame tablebases made composing such endgame studies easier in the late 20th century, and it seems that there can't be much variety with only three pieces apart from the kings. Yet, even with so few pieces, some interesting ideas can be found.| Photos: Pixabay