In the third and final instalment of the Chess Artistry Adventure series, we bring you seven more studies, six of them originals, by world-class composers like Arpad Rusz, Amatzia Avni, Michael Pasman, and more. We also briefly discuss the composers and try to understand how they can turn positions from games into original compositions. Like in the previous article, we also have an assortment of flavours here. Some of the studies are concrete and tactical, while others are a bit on the technical side. However, regardless of style, each composition is deeply instructional, and you can be sure to come out wiser as a chess player if you go through them all.