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Black Bear review: twisty metadrama

The Skinny GFF 2021: Black Bear Aubrey Plaza, Christopher Abbott and Sarah Gadon are electric as the three leads in Lawrence Michael Levine s metadrama concerned with shifting identities and cruel power games ★★★★ Film title: Black Bear Release date: 23 Apr Stop me if you’ve heard this one before – a group of friends huddle up together in a lakeside cabin to see what bubbles to the surface once the conversation and the liquor start to flow. Gabe (Christopher Abbott) and Blair (Sarah Gadon) play the established couple with a baby on the way. The arrival of Allison (Aubrey Plaza), gives them a fresh audience to tell their story to, battling for control of their relationship’s narrative. Allison herself takes turns playing the edgy contrarian, the partner in crime, the sister in solidarity – morphing herself to match the person she’s trying to impress.

The Paris Review - Staff Picks: Bathing Suits, Bright Winters, and Broken Hearts

Lawrence Michael Levine’s fourth feature, Black Bear, really messed with my equilibrium. I first saw the film as part of Nightstream, a collaborative virtual horror film festival, so I guess I shouldn’t be surprised that it stirred up something deep in my psyche. The plot unfolds in three distinct strands. One follows a filmmaker and former actress named Allison (Aubrey Plaza) who heads to a wooded retreat to seek inspiration for her next film while navigating the awkward tension of the cabin’s caretakers, Gabe (Christopher Abbott) and Blair (Sarah Gadon). The second departs from almost everything established by the first, picking up on the final day of shooting for a film directed by Gabe and costarring Blair, whose apparent chemistry with Gabe informs Allison’s starring performance at the cost of her sanity. The third strand involves Allison meditating by the lake in a red bathing suit. Feeling disoriented yet? Fear not.

Black Bear blurs (and burns) the line between fiction and reality

Article content Try refreshing your browser. As a film critic who often interviews actors I am painfully, even paranoically aware of the paradox of trying to have a heart-to-heart with someone whose entire career is predicated on playing make-believe. Were Dustin Hoffman, Hope Davis, John C. Reilly or Winona Ryder (to name a few of my more memorable interviews) really that into talking with me, or just great at faking it? In Black Bear, writer/director Lawrence Michael Levine picks up on that notion and runs over the river and through the woods with it. The film is about creative types and the way life bleeds into art, sometimes literally. It’s an exciting, confusing story within a story.

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New York Film Academy (NYFA) Welcomes Cast and Director of Meta Thriller Black Bear for NYFA Q&A-List Series

New York Film Academy (NYFA) Welcomes Cast and Director of Meta Thriller Black Bear for NYFA Q&A-List Series
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