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An artist’s initial work often sets the tone for how they’re perceived for the rest of their career. So it went with PJ Harvey: Her electric early ’90s albums Dry and Rid Of Me established her as a ferocious guitarist and vocalist who chronicled womanhood with unapologetic candor a reputation that has stuck with her, to some extent, ever since. But during a career that now spans more than three decades, Harvey has intentionally detonated any attempts at being boxed in; she’s explored avenues like bewitching alternative rock (1995’s To Bring You My Love), crunchy glam (2000’s Stories From The City, Stories From The Sea), and antique piano compositions (2007’s White Chalk). If anything, the fervent rawness of her first records now seems like a mere starting point, not a defined pathway.
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