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now euphoria, sam levenson, the show run and director demands authenticity. every t is crossed and i is dotted and we use real firearms whenever possible, and whenever there s a firearm brought out on set he makes sure there s an actual arm oher, not just a prop person or crew person but an arm oher with the gun to make sure that we re at the utmost of safety and we block every scene and we know in advance where the actors are pointing, when they are going to pull the trigger and where the cameras are placed and the safety procedures also extend to the camera department. it used to be you had to have an operator on the eye piece, on the lens and a focus puller next to the lens. two people right next to the cameras, but with the current technology, when we film scenes, oftentimes we can put a camera on a remote control and have an operator 10, 20, 30 feet away looking at a monitor and a focus puller working on a remote head and there s nobody next to the camera when it s being fir

Sam levensonThe show runArm oherSafety proceduresEye pieceFocus pullerCamera department