Mabou Mines Announces New Members on the Eve of its 51st Season
These new appointments fortify, for the future, the cornerstones of Mabou Mines’ half-century of history.by BWW News Desk
Mabou Mines today has announced a group of multidisciplinary artists whose work affirms the company s 51-year history of collaboration and experimentation. Co-Artistic Directors Karen Kandel, Sharon Ann Fogarty, Mallory Catlett, and Carl Hancock Rux welcome new Associate Artists and members in a new category: Senior Artistic Associates. Together, they exemplify Mabou Mines intergenerational model.
These new appointments fortify, for the future, the cornerstones of Mabou Mines half-century of history: a wide network of artists and a commitment to cross-disciplinary collaboration. The new Associate Artists are media designer and performer Tei Blow; interdisciplinary artist Perel; performing artist David Thomson; and MacArthur Fellowship-winning multidisciplinary artist Carrie Mae Weems. Each bri
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Last modified on Thu 4 Feb 2021 01.03 EST
With Room 237, a deep dive into theories about Stanley Kubrickâs The Shining, writer-director-animator Rodney Ascher practically invented a new sub-genre of documentary: the fathoms-five-low inspection of fandom theories and nuttery. Tonally blending sympathetic dispassion and ever-so-slight amused mockery over a fast-shuffling montage of clips that just fit under the bar of fair use, Ascherâs technique created a fascinating brainstorm essay equally about cinema, spectatorship and the ability of works of art to generate interpretations well beyond the intentions of their makers.
His latest, A Glitch in the Matrix, pulls off the trick again, appropriately enough on an even bigger scale. This time the subject is simulation theory: the hypothesis that we are all living inside a synthetic world, like the human beings in The Matrix movies who are kept in pods, jacked into a giant supercomputer that injects a delusion straight into thei
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Star Wars: Mara Jade By the Emperor’s Hand. Without seeing contracts or the full details of the nature of the transfer of property from Lucasfilm to Disney, it’s hard to know if each author falls into the same situation as Foster, but the result appears to be the same: They haven’t received money that they feel entitled to for the work that they published….
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A NOBEL PURSUIT. The Arthur C. Clarke Center for Human Imagination’s
Barry Barish is an emeritus professor at Caltech, where he has worked since 1963. He became director of the LIGO (Laser Interferometer Gravitational-wave Observatory) project in 1997, which led to his Nobel Prize in 2017. He has many other awards and is a fellow of the National Academy of Sciences and American Physical Society, of which he was also president.