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Save this story for later. The first word of the Iliad is “rage,” and rage is also the starting point of “Pebbles,” the Indian director P. S. Vinothraj’s first feature. It’s a gendered vision of rage, in which a woman calmly carries water in a large pot as a man stomps past her and down an alley in a glowering fury. The enraged man then bursts into the village schoolhouse, defiantly orders a pupil—his young son—out, and drags him onto a bus. They get off at a lonely outpost and walk through a desolate plain to another village, where the father—crude, bitter, violent, alcoholic—wants to force his estranged wife to return home with him. That’s the story of “Pebbles,” which is the best dramatic feature I’ve seen in this year’s New Directors/New Films series (which runs from April 28th to May 8th, both online and in person). With the stark clarity of its story and the audacity of its style, it presents a compl

New filmsThe front rowMovie reviewsMuseum of modern art momaFilm society of lincoln centerபுதியது படங்கள்தி முன் வரிசைதிரைப்படம் மதிப்புரைகள்அருங்காட்சியகம் ஆஃப் நவீன கலை அம்மாபடம் சமூகம் ஆஃப் லிங்கன் மையம்