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Země nomádů: Favorit oscarového klání empaticky zkoumá fenomén moderního kočovnictví [recenze filmu]
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The true story of Empire, Nevada, the tiny desert town from Nomadland that shut down in 2011, forcing all of its residents out
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Art or activism? The Oscarsâ identity crisis
The Hollywood thinker ⦠can the Oscars reconcile its desires to do the right thing and prioritise aesthetics? And does it need to? Composite: Getty
The Hollywood thinker ⦠can the Oscars reconcile its desires to do the right thing and prioritise aesthetics? And does it need to? Composite: Getty
This yearâs awards will be a battle between political propriety and cinematic excellence. But will medium or message finally triumph?
Fri 23 Apr 2021 01.00 EDT
What is the point of cinema? For most people: entertainment; for some: art. And for a few: a means of shaping attitudes. Such purposes are not mutually exclusive â just ask Ken Loach (or even, perhaps, the Nazi propagandist Leni Riefenstahl).
Films on and as movement
The ground beneath Chloé Zhao’s feet grows slender wings and takes flight over barren landscapes, forever virginal to the movie audience’s eyes.
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The film begins with these lines about a horse Johnny is riding “If you are gonna keep on running your horse, you gonna break his spirit. You need to leave a little bit of the wild they are born with.
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The ground beneath Chloé Zhao’s feet grows slender wings and takes flight over barren landscapes, forever virginal to the movie audience’s eyes. For in Zhao’s direction and editing, the movement turns lyrical and captures characters moments before they break inertia. In her recent Nomadland, a favourite in this muted awards season, Fern (Frances McDormand) collects the residues of her life to live houseless – she corrects someone in the film when they refer to her as homeless – after a countrywide economic downturn and more specifically, an
Where to Watch Every 2021 Best Picture Oscar Nominee
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