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Reflecting on the burgeoning field of feminist media histories and contemporary debates around Shanta Apte’s films, protests, and writing, along with sources that bring narratives from different women in the film industry, this paper argues that such discussions enable us to rethink questions of gender, creative labour, characteristics of film work, and the industrial milieu.
Bombay
Maharashtra
India
Lahore
Punjab
Pakistan
New-york
United-states
Manasa
Madhya-pradesh
Janki
Sindh