Photographer A.C. Huerta Takes On The American Way In His Documents Of The Late 20th Century.
By Margaret Regan
AT THE END of the millennium, people tend to live at a
curious remove. Visitors to the Grand Canyon often spend more
time gazing at an IMAX movie about the canyon than they do actually
wandering the natural wonder outside the theatre door. People
drive nightmarish freeways around Los Angeles so they can pay
to meander down the carless and quaint and completely artificial
Main Street of Disneyland. A.C. Huerta photographs these phenomena of life in America, where
real experiences metamorphose into fake, and cultures blur together.
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