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How To Cope With Family Challenges During Holidays: Uncomfortable Questions, Rusty Relationship, and More

Motor, Behavioral, and Emotional ADHD Symptoms: Methylphenidate or Atomoxetine?

Sub-inspector on duty in Manipur s Churachandpur shot dead by unidentified miscreants

A police sub-inspector was shot dead by unidentified miscreants in Manipur s Churachandpur district. Two other Village Defence Volunteers were also injured in the incident. The Manipur government has announced that it will start assessing the properties damaged due to the ongoing crisis in the state.

Transcripts for BBCNEWS HARDtalk 20240604 11:35:00

family relationship that you get in theatre that you don t get in screen. well, that s interesting because i actually thought from reading some of the things you ve said about your own creative process in the past, that it worked the other way. that you found writing for theatre quite a lonely experience, much lonelier than the collaboration that comes with sitting in a writers room for example, during the creation of succession where you re playing off six or seven other people. yeah. actually, you re right, but it reverses itself. so the writers room for a tv show like succession is extremely familial and supportive and lovely. but when you shoot something, what happens is it s a very shattered experience. you re probably filming it out of order, if you re doing a big tv show. so you might be filming something from right at the end of the season just because you ve got the location to do it. and also, the actors sometimes, if they re not in the same scenes,

Transcripts for BBCNEWS HARDtalk 20240604 22:33:00

it s very difficult to work on a show like succession as a writer and executive producer with the other writers and producers i work with and the actors, of course, and not become a better writer. i ve been doing it, i was doing it for six years, involved very heavily in every season. and you work with actors of that quality, but also writers of that quality and you learn so, so much about what to put in, what to leave out often as well. and so i think i ve come back to theatre both hopefully better equipped, you know, knowing how to edit something and how to work with actors, but also missing that very special family relationship that you get in theatre that you don t get in screen. well, that s interesting because i actually thought from reading some of the things you ve said about your own creative process in the past, that it worked the other way. that you found writing for theatre quite a lonely experience, much lonelier than the collaboration that comes with sitting in a writers

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