of arguments that we had over life is beautiful, some subjects to touchy to be comedy? what is good about this is there is a very brilliant central performance by a german comedian and she carries the picture. she is very fun and lovable. . picture. she is very fun and lovable. , ., ., lovable. there is another film in competition lovable. there is another film in competition which - lovable. there is another film in competition which i - lovable. there is another film | in competition which i actually really enjoyed, aei ou, a love story between an older woman and a younger man. i story between an older woman and a younger man. and a younger man. i quite liked it as and a younger man. i quite liked it as well. and a younger man. i quite liked it as well. it s - and a younger man. i quite liked it as well. it s one i and a younger man. i quite l liked it as well. it s one that has a very open ended story because it s about a woman who we first see and she s watching a line up an
get to really see the attraction and the performance by sophie royce carries the film. . . by sophie royce carries the film. , ., ., by sophie royce carries the film. , ., ., , by sophie royce carries the film. , ., .,, ., film. it s great to be back at a film festival film. it s great to be back at a film festival with - film. it s great to be back at a film festival with you. i film. it s great to be back at. a film festival with you. think is a much. i do for thank you so much. the berlin film festival has been committed to celebrating the work of experimental filmmakers celebrating the work of experimentalfilmmakers in celebrating the work of experimental filmmakers in this year it was the first, an adventurous experiment or work that became the first festival film to be shown in a planetarium. early on a burl in sunday morning, the planetarium inside the former liz rosenfeld is doing a tech run. the experimentalfilm is being shown later that day, white sands crystal foxes
and saw interested in. when i came here and saw the work here and the space. and saw the work here and the space. i and saw the work here and the space, i was overwhelmed by this very space, i was overwhelmed by this very visceral experience and this very visceral experience and that this very visceral experience and that was something that i felt we and that was something that i felt we should definitely share with our felt we should definitely share with our audience. with our audience. when the viewers head with our audience. when the viewers head out with our audience. when the viewers head out from i with our audience. when the viewers head out from the i viewers head out from the building viewers head out from the building inside viewers head out from the building inside not- viewers head out from the building inside not make i building inside not make official building inside not make official berlin building inside not make official berlin film - building
was populated by the kinds of films that have, over the decades, this festival. bell and certainly decades, this festival. bell and certainly has decades, this festival. bell and certainly has a - decades, this festival. bell and certainly has a programme which is quite political and which is quite political and which touches a lot of issues which touches a lot of issues which nowadays society are thinking about and i think that that is a bit different from the other festivals.- that is a bit different from the other festivals. plenty to screen in the other festivals. plenty to screen in berlin the other festivals. plenty to screen in berlin but - the other festivals. plenty to screen in berlin but there - screen in berlin but there weren t many films provoking and ecstatic response. however almost everyone agreed that the movie that won top prize was justly awarded. the golden bear went to carla simon s drama, centred on a family of catalan peach farmers engaged in their last
bhatt plays the title role. inspired by a real life story, it tells the story of a russell madam in mumbai s red light district in the 1960s. we don t really get district in the 1960s. we don t really get characters - district in the 1960s. we don t really get characters written i really get characters written like this for women very often where they are like sort of front foot owning the screen. there is power, this strength, there is honour ability, this romance, there is drama. there is a lot ofjuice just for the one character. that is a lot ofjuice ust for the one character. is a lot ofjuice ust for the one character. at the start of the film. one character. at the start of the film, she one character. at the start of the film, she is one character. at the start of the film, she is betrayed i one character. at the start of the film, she is betrayed by i the film, she is betrayed by her lover and pushed into prostitution, but she rises up within that world, eventually be