when the viewers head out from the building inside. official berlin film festival literature describes how liz rosenfeld transforms the planetarium into a speculative future lexicon of flesh, holes, crystals and foxes it s certainly a lot to get your head around, but festival goers did enjoy seeing this experimental film inside a planetarium. so, we have this all encompassing sensual experience. to have in the planetarium was absolutely stunning and beautiful. berliners are quite creative when it comes to new ways of watching movies. berlin film festival goers this year could, if they so wished, savour watching a movie inside one of the city s landmark locations at a pop up cinema at templehof airport. templehof actually went out of the business of being a functioning airport more than a decade ago. jad salfiti reports.
is a kind of exploration of desire as well as nature and climate change at the same time. b. climate change at the same time. . . climate change at the same time. , , ., climate change at the same time. ,, ., ,, climate change at the same time. ~ ,, ., ,, ., time. a sphere in a sphere in a cube. time. a sphere in a sphere in a cube- liz time. a sphere in a sphere in a cube. liz rosenfeld time. a sphere in a sphere in a cube. liz rosenfeld self- cube. liz rosenfeld self identifies cube. liz rosenfeld self identifies as cube. liz rosenfeld self identifies as a - cube. liz rosenfeld self identifies as a radical i cube. liz rosenfeld self- identifies as a radical queer and also as an american german due. those factors inform the work. rosenfeld is ultimately working on a full length feature, set in the aftermath of a climate emergency. the planetarium was the right kind of venue for white sands crystal foxes. of venue for white sands crystalfoxes. i of venue for white sands c
black, yeah. pitch black? pitch as dark as possible. this potential of cinema as a sensual experiencej and heightening that. was something that we, as a curatorial team, i were very interested in. when i came here and sawi the work here in the space, i was sort of really - overwhelmed by this very visceral experience - and that was something that i thought we should definitely share with our audience. - when the viewers head out from the building inside. official berlin film festival literature describes how liz rosenfeld transforms the planetarium into a speculative future lexicon of flesh, holes, crystals and foxes it s certainly a lot to get your head around, but festival goers did enjoy seeing this experimental film inside a planetarium. so, we have this all encompassing sensual experience. to have in the planetarium was absolutely stunning and beautiful.
get to really see the attraction and the performance by sophie royce carries the film. . . by sophie royce carries the film. , ., ., by sophie royce carries the film. , ., ., , by sophie royce carries the film. , ., .,, ., film. it s great to be back at a film festival film. it s great to be back at a film festival with - film. it s great to be back at a film festival with you. i film. it s great to be back at. a film festival with you. think is a much. i do for thank you so much. the berlin film festival has been committed to celebrating the work of experimental filmmakers celebrating the work of experimentalfilmmakers in celebrating the work of experimental filmmakers in this year it was the first, an adventurous experiment or work that became the first festival film to be shown in a planetarium. early on a burl in sunday morning, the planetarium inside the former liz rosenfeld is doing a tech run. the experimentalfilm is being shown later that day, white sands crystal foxes
and saw interested in. when i came here and saw the work here and the space. and saw the work here and the space. i and saw the work here and the space, i was overwhelmed by this very space, i was overwhelmed by this very visceral experience and this very visceral experience and that this very visceral experience and that was something that i felt we and that was something that i felt we should definitely share with our felt we should definitely share with our audience. with our audience. when the viewers head with our audience. when the viewers head out with our audience. when the viewers head out from i with our audience. when the viewers head out from the i viewers head out from the building viewers head out from the building inside viewers head out from the building inside not- viewers head out from the building inside not make i building inside not make official building inside not make official berlin building inside not make official berlin film - building