IN THE UNDERLIT BASEMENT SPACE of the Palais de Tokyo, Italian dancer and choreographer Annamaria Ajmone’s La notte è il mio giorno preferito (Night is My Favorite Day) started with the sound of a deep animal howl, the reverberations of which lent dimension to the darkness and outlined the space of the performance, delineating its edges and corners. In the infrared glow of the overhanging green lights, a minimal representation of a forest emerged; a few sparse lianas built the habitat for the performance. Suddenly, a stealthy, human-animal hybrid figure appeared and began an evasive dance,
His Father and Grandfather Taught Him How To Be a Shaman Now He s One of the Only Ones Left
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Ñe ẽ: An Introduction to Contemporary Guaraní Poetry by Elisa Taber
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Tracing the History of Sacred Land in Central Mexico
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The Purpose Of Eating The Enemy By Eduardo Viveiros De Castro
328 Words2 Pages
And if we are arguing for a resistance within life, how come they have to give death to El Loco after realizing the imminence of the normalization. Do we have to resist within life only by denying the life of the other? Letâs step back for a moment to try to answer this question.
The anthropologist Eduardo Viveiros de Castro discusses the cannibal ceremony of the Tupinamba of Brazil, who devour their enemies after war. The question about the purpose of eating the enemy is addressed by Viveiros de Castro: