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Lauren Mackler tracks Annamaria Ajmone s latest moves

IN THE UNDERLIT BASEMENT SPACE of the Palais de Tokyo, Italian dancer and choreographer Annamaria Ajmone’s La notte è il mio giorno preferito (Night is My Favorite Day) started with the sound of a deep animal howl, the reverberations of which lent dimension to the darkness and outlined the space of the performance, delineating its edges and corners. In the infrared glow of the overhanging green lights, a minimal representation of a forest emerged; a few sparse lianas built the habitat for the performance. Suddenly, a stealthy, human-animal hybrid figure appeared and began an evasive dance,

Fact 2020: Audiovisual

Fact 2020: Audiovisual Fact 2020: Audiovisual We’ve collected some of our favourite audiovisual works from a year in which creativity was made more difficult, and more vital, than ever. This year Fact Magazine broadened its focus, presenting short film, audiovisual work, movement and performance art alongside the electronic and experimental music we have always championed. More importantly, this year proved to be one of the most challenging faced by artists the world over, with the pressures of a global pandemic, major cuts to arts funding and the sustained struggle of millions of protestors, who continue you to show extreme bravery and strength across the globe, making creativity more difficult, and more vital, than ever.

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