not about liz taylor and stuff, not about that, just about life, you know, and the film and he was so pleased to be working on a film that actually felt meant something at that point in his life, because he d been doing a few films that he wasn t that proud of. and it was just really lovely to sit and talk with somebody of his reputation but, you know, just a regular guy. the point about introversion, or maybe self effacement, with you seems to go even further, though, because you have always said, i think, about the way you make your movies that you don t want people to really think hard or notice or regard as sort of special the treatment, visual treatment, you ve given the movie because you sort of say if they re coming up to me saying, i love that brilliant shot you put in at x or y point in the movie, you almost feel that s
working on a film that actually felt meant something at that point in his life because he d been doing a few films that he wasn t that proud of. and it was just really lovely to sit and talk with somebody of his reputation but, you know, just a regular guy. the point about introversion or maybe self effacement with you seems to go even further, though, because you have always said, i think about the way you make your movies, that you don t want people to really think hard or notice or regard as sort of special the treatment, visual treatment, you ve given the movie, because you sort of say if they re coming up to me saying, i love that brilliant shot you put in at x or y point in the movie, you almost feel that s a failure. why is that? i do think if the cinematography, the imagery
i think about the way you make your movies, that you don t want people to really think hard or notice or regard as sort of special the treatment, visual treatment, you ve given the movie, because you sort of say if they re coming up to me saying, i love that brilliant shot you put in at x or y point in the movie, you almost feel that s a failure. why is that? i do think if the cinematography, the imagery or any other aspect of bringing that story to a screen is more noticeable, or draws attention to itself, whether it s a flamboyant camera move or some very kind of well crafted arty lighting, i think it s a mistake, you know. so, you consciously are seeking to avoid that? i think sometimes i kind of draw back and say, no, that s going to draw attention to itself, you know. let me ask you about one particular film where there was a huge amount of discussion
and he was so pleased to be working on a film that actually felt meant something at that point in his life because he d been doing a few films that he wasn t that proud of. and it was just really lovely to sit and talk with somebody of his reputation but, you know, just a regular guy. the point about introversion or maybe self effacement with you seems to go even further, though, because you have always said, i think about the way you make your movies, that you don t want people to really think hard or notice or regard as sort of special the treatment, visual treatment, you ve given the movie, because you sort of say if they re coming up to me saying, i love that brilliant shot you put in at x or y point in the movie, you almost feel that s a failure. why is that? i do think if the cinematography, the imagery or any other aspect of bringing
Dignity’s Five-Spice Roast Chicken family meal for four includes yee sang, roast chicken, buttered rice plus mango pudding dessert and a packet of flower tea.
DIGNITY for Children Foundation and its transformational enterprises have created a special reunion dinner package to help Malaysians come together despite being physically apart this Chinese New Year.
There are three meal packages – yee sang, chicken rice set and Five-Spice Roast Chicken family meal.
All are prepared by eat X cafe, one of Dignity’s transformational enterprises.
The yee sang features freshly grated vegetables, pomelo, fried wanton and zesty plum sauce.
The chicken rice set offers succulent whole roast chicken complete with sauces and four servings of buttered rice.