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ASIC veteran takes on chair role

New Chair Named for Auditing, Assurance Standards Board

New Chair Named for Auditing, Assurance Standards Board
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Red Plaque installed on Union Street in honour of Aberdeen s unofficial hero

Cambodians Demand Apology for Khmer Rouge Images with Smiling Faces

Cambodians Demand Apology for Khmer Rouge Images with Smiling Faces An Irish artist colorized portraits of Cambodian prisoners who were tortured, starved, beaten and killed. In some cases, he doctored the images to put smiles on their faces. Photographs of victims of the Khmer Rouge at the Tuol Sleng Genocide Museum in Phnom Penh, Cambodia, in 2018.Credit.Adam Dean for The New York Times April 13, 2021Updated 10:03 a.m. ET Hundreds of stark black-and-white portraits of terrified people are displayed on large panels in Tuol Sleng, the former Cambodian prison that is now a museum. The portraits stand as a visual symbol of a genocide: The subjects were photographed before they were tortured and put to death under the Khmer Rouge, the fanatical communist regime that, from 1975 to 1979, caused the deaths of at least 1.7 million Cambodians.

Framing the Khmer Rouge

Framing the Khmer Rouge Cambodia has long been presented to the world through the viewfinders of foreign photographers – but that’s slowly starting to change. By January 28, 2021 A worker is silhouetted as he pulls his fishing net at the flooded land following recent rain in Chres village on the outskirts of Phnom Penh, Cambodia, September 1, 2020. Credit: AP Photo/Heng Sinith Advertisement In Cambodia, the Khmer Rouge have left deep and lasting scars on the land, the people, and the culture. The ultra-communist government killed nearly 2 million people between 1975 and 1979, including most of the country’s intellectuals and artists. As a result, those who initially documented these lasting effects were foreign photographers, but this has slowly begun to change, with Cambodian photographers producing increasingly singular work, often in spite of the lack of access to resources and formal education. How has this change come about? And why is it

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