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The Asian Civilisations Museum: July And August 2021 Activities
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Virtual Workings | PERTIWI : Resilience in the arts
Participants of the online residency Virtual Workings Kamiliah Bahdar from Singapore and Savitri Sastrawan from Indonesia worked together on “Pertiwi” under the mentorship of Luckana Kunavichayanont. The two curators talk about the project’s development and working virtually with a mentor in their final article below.
Resilience is one of those words and concepts that is very hard to pin down, but also perhaps because of that, it is a term used in many contexts from ecology and economy to psychology, and a favourite between us, the name of the stimulus package in Singapore named the Resilience Budget, with its subset, the Arts and Culture Resilience Package. While the dictionary definition seems to capture something of the essence of its meaning, the capacity to recover quickly from difficulties, and the ability of a substance or object to spring back into shape yet it remains very open-ended. These qualities
The recent decision by President Joko Widodo, under pressure from Islamic groups, to reverse his decision to include alcohol production in the national positive investment list brings to the fore questions about alcohol drink in Indonesian society.
HISTORIA – an online Indonesian language publication has explored the role of alcohol in the Indonesian archipelago’s history in an article titled
“Alkohol dan Kenjeniusan Masyarakat Nusantara” (Alcohol and the Local Genius of the People of the Nusantara) published on 05 March 2021.
The President’s 03 March 2021 decision to retract a planned deregulation of the alcohol sector has renewed discussions on the role alcoholic beverage plays in people’s daily lives in many Indonesia regions. In North Sumatra, people drink
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Born in Yogyakarta in 1976, Irene Agrivina experienced firsthand the seismic social and political shifts that unfolded across Indonesia following the end of Suharto’s 31-year autocratic rule in 1998. Among the Reformasi period’s most significant changes was the easing of restrictions on freedom of speech, which coincided with the development of the internet. The unbridled flow of information expanded the worlds of many Indonesians and allowed them to access a wide range of knowledge. This had a tremendous impact on Agrivina, who developed broad interests, including in science, experimental music, and media arts.
Agrivina’s careers as an open-source activist, media artist, educator, and technologist began after she graduated from the graphic design department of the Indonesian Art Institute, Yogyakarta, in 1999. That year, together with her friends Venzha, Sujud Dartanto, Istasius, and Tommy Surya, she formed a collective called the House of Natural F
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