box office. we will find out how to buy into the latest blockchain blockbuster. we ll talk to the titanic talent behind terminator. we will give a vfx artist a ring or ten. and did someone mention box office? well, iam in a box, at least. los angeles, the place where anything is possible even the weird stuff that i ve got up to here over the years. it s a town that revels in the new and right now, that town seems to be talking about nfts. now, as a reminder, nfts are a way of recording who owns what mainly digital
or a semi enclosed environment, making sure that you can adjust the plate lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun. ..who you really are. and we ll find out soon whether shang chi has moved up from the shortlist to the list of five films which are nominated for the best vfx oscar. in the meantime, that s it from us from los angeles for this week.
to buy into the latest blockchain blockbuster. we ll talk to the titanic talent behind terminator. we will give a vfx artist a ring or ten. and did someone mention box office? well, iam in a box, at least. los angeles, the place where anything is possible even the weird stuff that i ve got up to here over the years. it s a town that revels in the new and right now, that town seems to be talking about nfts. now, as a reminder, nfts are a way
it s time for click. this week, it is pure box office. we will find out how to buy into the latest blockchain blockbuster. we ll talk to the titanic talent behind terminator. we will give a vfx artist a ring or ten. and did someone mention box office? well, iam in a box, at least. los angeles, the place where anything is possible even the weird stuff that i ve got up to here over the years. it s a town that revels in the new and right now, that town seems to be talking about nfts.
they have figured out how to. irrigation channels, farming, dwellings, we tried to block out these different areas and populated with little people, little chimney stacks, atmospherics, it was set in a huge cabin so we want to make sure we have a sense of scale. our vfx work will always be better if we are building off the back of something real, or if we have something real to reference before we build out the effects. it will always look better, you can create wonderful environments, as much imagination as you like, but as soon as you start putting summing reel into it you need something ground it and if you do a partial set build of the background and the lighting, so once you have got something captured on camera it is so much easier to extend that in cg and build on the same thing. be a part of that. be a part of that. after all these years! be a part of that. after all these years! to be a part of that. after all these years! to be - be a part of that. after all these years!