making sure that you can adjust the plate lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun. ..who you really are. that is it for the short cut of this week s programme from la. the full length version is waiting for you on iplayer. don t forget, we live on social media on facebook, youtube, instagram and twitter at @bbcclick. thanks for watching and we ll see you soon.
like, we are looking at, you know, sea snakes and iguanas sort of moving through the ocean and how they sort of push their tail and move around, so it was some element of, yeah, realism, despite all the craziness that was going on. it always starts with good intentions. we have had a few of these on marvel shows where they shoot something and then, the story kind of changes a little bit so they more than once, we have had to just roto the actions off the plates and replace it with an entirely cg environment. it s still a bit tricky to make it feel not quite stage lit, you know, when you have an enclosed environment or a semi enclosed environment, making sure that you can adjust the plate lighting to match
an element of realism. like, we re looking at, you know, sea snakes and iguanas, sort of, moving through the ocean and how they sort of push their tail and move around, so it was some element of, yeah, realism, despite all the craziness that was going on. it always starts with good intentions. we have had a few of these on marvel shows where they shoot something and then the story kind of changes a little bit so they more than once, we have had tojust roto the actors off the plates and replace it with an entirely cg environment. it s still a bit tricky to make it feel not quite stage lit, you know, when you have an enclosed environment or a semi enclosed environment, making sure that you can adjust the plate lighting
it s still a bit tricky to make it feel not quite stage lit, you know, when you have an enclosed environment or a semi enclosed environment, making sure that you can adjust the plate lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun.
and iguanas sort of moving through the ocean and how they sort of push their tail and move around, so it was some element of, yeah, realism despite all the craziness that was going on. it always starts with good intentions. we have had a few of these on marvel shows where they shoot something and then, the story kind of changes a little bit so they more than once, we have had to just roto the actors off the plates and replace it with an entirely cg environment. it s still a bit tricky to make it feel not quite stage lit, you know, when you have an enclosed environment or a semi enclosed environment, making sure that you can adjust the plate lighting