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New Jazz Adds - 6/1/2021

New Jazz Adds - 6/1/2021
wtju.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from wtju.net Daily Mail and Mail on Sunday newspapers.

The Quietus | Features | Complete Communion | Complete Communion: Jazz For May Reviewed By Peter Margasak

The Quietus | Features | Complete Communion | Complete Communion: Jazz For May Reviewed By Peter Margasak
thequietus.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thequietus.com Daily Mail and Mail on Sunday newspapers.

BBC Radio 3 - Sunday Feature, The Tidal Sense

Show more What does the tide mean, and could it be trying to tell us something? Multimedia artist Signe Lidén reflects on both ancient and emerging knowledge across disciplines and cultures that understands the tide as more than just a mechanical phenomenon. While recording sounds on the dunes of an island off Denmark, Lidén was surprised by the rapid rise in sea level without being able to see the change from moment to moment. She has since devoted herself to studying the tide, recording an entire tidal zone using a 28-metre canvas as a microphone, and noticing the different sense of time she gets through close and extended listening. Could a deeper connection to the tide offer new ways of sensing and relating to the world around us, and help us to grasp the scale of environmental change that is happening in it?

Finding ways to play through the pandemic

Tim Daisy; Matt Piet at the Hungry Brain pre-COVID Photos by Marek Lazarski and Morgan Ciesielski The COVID-19 pandemic has put tens of millions of Americans out of work, but even considering that bleak landscape, musicians have been hit especially hard most of their jobs only barely exist now, and the infrastructure that might allow them to return someday is in danger of collapsing. Festivals have been canceled, larger concert halls closed, and smaller clubs either shuttered or restricted to fractions of their usual audiences. At least in the States, no one is touring. In Chicago, many of the venues that stage jazz and improvised music have either been streaming pay-what-you-will concerts or sitting dark since March. The disappearance of in-person performance opportunities hurts worse in this context, since the music thrives upon and in fact usual

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