On April 23, the Fifty-Ninth Venice Biennale will open to the public, curated by Cecilia Alemani a veteran of the show, having organized the Italian pavilion in 2017. Titled “The Milk of Dreams,” after a series of drawings the artist Leonora Carrington made during her time in Mexico in the 1950s, this edition arrives a year later than planned, its opening postponed due to the worldwide Covid-19 crisis. Artforum editor David Velasco spoke with Alemani over Zoom in February, then revisited the conversation over email in early March to address the Biennale’s role in light of Russia’s extraordinary
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