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Claire Bishop on the superabundance of research-based art - Artforum International

POSTCARDS, FAXES, AND EMAIL PRINTOUTS lie wanly in a vitrine. A plywood shelving unit holds rows of informational leaflets. One gallery wall is plastered with graphs and charts. Another is covered in hundreds of seemingly identical photographs. On a bank of video monitors, talking heads are explaining something. In a darkened corner, a slide projector clunks slowly through a carousel of images. Nearby, a 16-mm film whirs alongside a soporific voice-over. An illuminated table is covered in papers and newspaper clippings marked up with Post-its. Every object on display is accompanied by a lengthy

03/24/2023 Snippet, Notes from the 2078 United Nations Antarctic Archeological Survey – Moe Lane

03/24/2023 Snippet, Notes from the 2078 United Nations Antarctic Archeological Survey – Moe Lane
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Monsieur Zohore with Claude Wampler

The Avant-Garde Museum - Projects

The history of avant-garde museology begins after the October Revolution, when the Russian champions of new art proposed the establishment of a network of Museums of Artistic Culture. Not much later, a group of New-York-based modernists and Dadaists started the Société Anonyme, a collective that sought to establish the first American museum of modern art. The successive chapters of this story were written by the Russian Constructivist El Lissitzky, who designed the Kabinett der Abstrakten at the Hanover Provinzialmuseum, and by the avant-garde a.r. group, whose efforts began the International Collection of Modern Art at the Łódź museum now known as the Muzeum Sztuki.

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