Reading Rahad Abir’s Bengal Hound, despite the novel being written in English, felt a lot like reading in Bangla. While no two languages can ever truly be compared, there is much to be said about seeing Bangla and Bangladesh through an English language lens.
Left to right: Avni Doshi and her book, Girl In White Cotton.
“How many times must a performance be repeated before it becomes reality? If a falsehood is enacted enough, does it begin to sound factual? Is a pathway created for lies to become true in the brain? Does the illogical eventually get integrated with the rational?”
Girl in White Cotton (HarperCollins, 2020), a story about a dysfunctional mother-daughter relationship, makes for a somewhat beautiful, disturbing read – evocative stories mingled with love-hate emotions. Born in New Jersey, Doshi is an American novelist of Indian origin currently based in Dubai. Equipped with a BA in Art History from Barnard College, New York, and a Masters in History of Art from University College, London, she went on to win the Tibor Jones South Asia Prize in 2013 and the Charles Pick Fellowship at the University of East Anglia the following year.