Change that yeah i mean its a big big issue i mean one of the artists with black artists a few black artists who were at the b. And all of this year called it a sea of whiteness and i think that is accurate. But and this real problem because the idea of the bee and ali is that countries come and present their ideas of themselves through their artists show what how they see themselves as a nation and so if youre not there if youre not represented its sort of like going to the world you dont really exist but this year its a little bit better of the be trying to address the the issue of diversity and they put a focus on nonwestern artists and on the western countries particularly african countries though this year there are still just 8 african countries with the billions of the band all of which is not just a great interest to start its a start its a start and there are some interesting ones i mean gonna for the 1st time has its all 1000000000 at the b. And allah so the for the very 1st
Change that yeah i mean its a big big issue i mean one of the artists with black artists a few black artists who were at the b. And all of this year called it a sea of whiteness and i think that is accurate. But and this real problem because the idea of the bee and ali is that countries come and present their ideas of themselves through their artists show what how they see themselves as a nation and so if youre not there if youre not represented its sort of like going to the art world you dont really exist but this year its a little bit better of the trying to address the issue of diversity and they put a focus on nonwestern artists and on the western countries particularly african countries though this year there are still just 8 african countries with the billions of the band all of which is not just a great interest to start its a start its a start and there are some interesting ones i mean gonna for the 1st time has its all 1000000000 at the b. Analysis for the very 1st time theyre
Steam sic ribbons of it rolling down the facade of the central pavilion. The artificial fog envelops the visitors at the entrance. To Ralph Rudolph promised powerful images and the show begins with one created by lara for. Art that you can physically feel. Good its rising from the believes it was a brave collective all the faults of the visitors who are inside who are engaging us more. Of course as human beings for not just about big. Nerds we can live in the parents to the future but of our bodies were always living the rest of the exhibition is entitled may you live in Interesting Times what does that. I mean is that a chinese curse as is widely supposed to know that thats a political myth and of this age of fake news and alternative facts this show urges us to take a closer look at the world around us and to take a stance. Was really. Good of you know by people coming. In this is more cabinet is a diagram of created by dominicans are dispersed and joy brittle its amazingly realistic
In april 25th a boat sank in the mediterranean coast 700. 00 migrants drowned this was on his coast to fish it has brought the wreck to the Venice Biennale night but canned of us will really be chastised for is it just tasteless well it certainly gets people talking and that is very much in the spirits of this being on i now in its 58th edition which aims to open up new perspectives on the world is that succeeding lets take a look. Fog steam sacredness of a rolling down the facade of the central pavilion. The us official fog in venice the visitors at the entrance curate. Ralph reed off promised powerful images and the show begins with one created by lara for a 2nd art that you can physically feel. Its rising from the building because it was a great. Collecting all the faults of the visitors who are inside who are engaging just more. Of course as human beings were not just about things. In our heads we can live in the past or the future or whatever our bodies were always living in the r
In april 2015 a boat sank in the mediterranean just 700 migrants drowned. His coast official has brought the wreck to the Venice Biennale in a but can the vessel really be chastised for is this just tasteless well it certainly gets people talking and that is very much in the spirit of this being on a now in its 58th edition which aims to open up new perspectives on the world is that succeeding lets take a look. Fog steam sacredness of the rolling down the facade of the central pavilion. The us official fog envelops the visitors at the entrance. Curator Ralph Rudolph promised powerful images and the show begins with one created by lara. Art that you can physically feel. Its rising from the bill because it was a great. Collecting all the faults of the visitors who are inside who are engaging just more. Of course as human beings were not just about big. In our heads we can live in the past in the future but in our bodies were always living with the rest of the exhibition is entitled may y