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I met Timothée Chalamet. The author with Timothée Chalamet. By On the twelfth of July, in the year of our Lord two-thousand-twenty-one, I met Timothée Chalamet. He was on the red carpet for his very first Cannes premiere, the Wes Anderson-directed “The French Dispatch,” the gold of his metallic Tom Ford suit dazzling under the bright Cannes sunlight. I was right behind the barricade, sweaty and tired after waiting in line for five-plus hours in the brutal heat. By all accounts, it was a match made in heaven. After coming all the way to the French Riviera for this express reason (please don’t tell Crimson film execs Lanz Aaron G. Tan or Jaden S. Thompson), the 5-second conversation I had with him and subsequent selfie were proof it was all worth it.

United statesFrench rivieraFrance generalLanz aaronWes andersonTom fordOwen wilsonBill murrayCaroline tsaiTilda swintonGreyhound busWes anderson directedFrench dispatchArts chairBenicio del toroSan pellegrino