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From Cannes: Oliver Stone Argues JFK s Murder is Still Unsolved in JFK Revisited | Arts

Exactly 30 years ago, Oliver Stone’s original political thriller “JFK” stirred up controversy and public outcry over the dubious circumstances surrounding the assassination of the former president. Though the U.S. government’s Warren Commission charged Lee Harvey Oswald with the murder, many elements about the case shed doubt on the government’s official portrait of Oswald as an individual firebrand who assassinated Kennedy with no outside help. “JFK” not only helped to bring those arguments to light, but made an even bolder accusation — alleging that the plot involved the CIA and even then-Vice President Johnson himself. Due in part to the cultural impact of Stone’s original film, the U.S. government passed the “JFK Act,” pledging to release a wealth of sealed records to the public by 2017. Drawing on those newly-released records as well as James DiEugenio’s 1992 nonfiction book “Destiny Betrayed: JFK, Cuba, and the Ga

From Cannes: A Feleségem Története ( The Story of My Wife ) is All Shimmer and No Substance | Arts

Hungarian Director Ildikó Enyedi is fascinated by the idea of control. Or, specifically, the human desire for control over the ones we love — and the consequences of taking that desire too far. Her in-competition entry “The Story of My Wife” attempts to explore those themes, adapting the 1942 Hungarian novel of the same name following a man’s ill-fated attempts to control his mysterious wife. In one of “The Story of My Wife”’s first scenes, Captain Jakob Störr (Gijs Naber) takes a bet that he will marry the first woman that walks into a cafe. Luckily (or ultimately unluckily) for him, that woman is the charming and elusive Lizzy, played by an enchanting Léa Seydoux. Störr is dazzled by Lizzy’s aloof, witty banter and marries her almost immediately; the majority of the film then follows his frustrated attempts to verify his intuition that she is cheating on him.

From Cannes: Women Do Cry is a Part Moving, Part Tone-Deaf Portrayal of Womanhood in Bulgaria | Arts

In 2021, a HIV diagnosis is no longer a death sentence. Several decades ago, the disease was able to ravage predominantly LGBTQ victims at will; unconcerned governments did nothing, and many openly admitted to a blatant lack of concern with the lives of queer people dying from the virus. But science has finally found effective treatment, and the biggest modern fight against HIV is against the stigma around it which prevents people seeking treatment, not the virus itself. “Women Do Cry”’s depiction of a young, ostensibly straight woman with HIV seems jarringly unconcerned with that history. The film follows the journey of 19-year-old Sonja (Maria Bakalova, who starred in Borat Subsequent Moviefilm ) after she learns that her boyfriend is seeing another girl, has been having sex with other men, and has given her HIV. The many women in Sonja’s family all band together in an attempt to force Sonja to accept treatment, and the film uses Sonja’s experience as a l

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