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THE FINAL GIRLS Is a Humorous Celebration of Slasher Film Tropes
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15 Best Comedies on Netflix Right Now
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Grief and Terror with THE FINAL GIRLS and PHANTASM
Chad Collins processes grief through a retrospective of PHANTASM and THE FINAL GIRLS. By Chad Collins
C.S. Lewis once famously wrote, “No one ever told me that grief felt so like fear.” To Lewis, and so many others, it’s a sensation not unlike being afraid, replete with “fluttering in the stomach, the same restlessness, the yawning” of pure, abject terror. More than anything, though– perhaps the most frightening thing about grief– is its permanence. It is an enduring state.
Most fear is ephemeral; it ebbs and flows alongside the vagaries of life. Like first love or good humor, confidence or elation, common fear– quotidian fear, the kind elicited from a shrieking cat or late-night knock on the door– soon evaporates. Grief is a permanent fear. It’s an awareness that things will never be the same, that someone– maybe a person you loved more than
Release Date: 2005
Director: Terrence Malick
Terrence Malick‘s
The New World is a cinematic wonder; a film that lives, and breathes, and fully transports you into the landscape. Every leaf on every tree, every ripple in every body of water, every bit of muck and grime, every boat that rocks upon unsteady seas – all of it combines to paint a picture that takes your breath away. Malick takes a ton of liberties with the true story of Pocahontas (played here by
Q’orianka Kilcher). History lesson this is not. But it is a romantic, tragic story of an untouched world being invaded by outsiders and the chain reaction that followers. Some may disagree, but I say this is Malick’s masterpiece. This isn’t just a movie – it’s something like a religious experience.