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Bruno Peter Kurth News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Next Door review: A tense and absorbing German psychological drama

With Daniel Craig and No Time To Die dominating UK box offices, it can be difficult even to find alternatives. But they are out there, and some are definitely worth tracking down.

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Next Door review – Daniel Brühl s tedious vanity project | Movies

Ostensibly a dig at gentrification and sensitive celebrities, this Berlin-set drama is contrived and navel-gazing

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Next Door review – Daniel Brühl s vanity-free actor project props itself up at the bar | Movies

Next Door review – Daniel Brühl s vanity-free actor project props itself up at the bar | Movies
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Berlin Review: Daniel Brühl Gets Meta With Directorial Debut Next Door

In Next Door, a famous actor living in the penthouse of a renovated Altbau in Berlin––complete with his own private elevator––has his life flipped upon confronting a seemingly unassuming neighbor at his local bar. The director is Daniel Brühl, probably the most recognizable German actor to emerge since the country’s reunification and even in villainous roles a generally endearing onscreen presence. Next Door is his first feature (Brühl gets credit as director and star) and swings for the fences in its attempts to address the idiosyncratic generational, geographical class divides of his adoptive city. It doesn’t quite come off.

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Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship

Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship | reviews, news & interviews Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship Berlinale 2021: Petite Maman review – magical musings on the parent-child relationship Céline Sciamma continues her startling run of perfect films, plus Daniel Bruhl’s black comedy ‘Next Door’ and the tricksy ‘A Cop Movie’ from Mexico by Demetrios MatheouSaturday, 06 March 2021 Hot on the heels of her 2019 triumph Portrait of a Lady on Fire, Céline Sciamma’s fifth feature continues a perfect track record; this is yet another gorgeous and perceptive film, told from a determinedly female perspective but with a wisdom that is all-embracing.

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