for best visual effects at this year s oscars, and this week it is the turn ofjames bond. did you know that no time to die is the first bond to be nominated for the best visual effects category in 43 years? moonraker was the last 1979. here is some of the amazing work that went into the film. now your enemy is my enemy. his name is safin. what does he want? revenge. me. - the bond films have a rich heritage of shooting all of their extraordinary action for real, and this film was absolutely no different. there were visual effects in it, but they were not up front and centre. so for instance, in the lake sequence, the production actually went to norway and they filmed on a real frozen lake in norway. but as with any production, when you shoot throughout the day, the footage looks different from shot to shot. there was kind of one or maybe two shots where everyone was happy with the lighting conditions.
at this year s oscars, and this week, it is the turn ofjames bond! did you know that no time to die is the first bond movie that s been nominated in the best visual effects category in 43 years? moonraker was the last one in 1979. yes, of course. and here is some of the amazing work that went into the film. now, your enemy is my enemy. his name is safin. what does he want? revenge. me. - the bond films have a rich heritage of shooting all of their extraordinary action for real, and this film was absolutely no different. there was visual effects in it, but they were not up front and centre. so for instance, in the norway lake sequence, the production
nominated in the best visual effects category in 43 years? moonraker was the last one in 1979. yes, of course. and here is some of the amazing work that went into the film. now your enemy is my enemy. his name is safin. and what does he want? revenge, me. the bond films have a rich heritage of shooting all of their extraordinary action for real. and this film was absolutely no different. there was visual effects in it, but they were not up front and centre. so, for instance, in the norway lake sequence, the production actually went to norway and they filmed on a real lake, a real frozen lake in norway. but as with any production, when you shoot throughout the day, the footage looks different from shot to shot. there was kind of one or maybe two shots, which everyone was happy with the lighting conditions.
ending like that? just like words on the screen in china? greg: i hope so. wouldn t you watch enough of them and go, there s got to be more. greg: movies are too long. do that in the middle of a bond film and i d be so happy. bond films are too long. my butt goes numb. i have to stopping it. i start thinking about things, tyrus. i bet film companies won t care as long as they get money, right? absolutely. here s the thing, this is what china does. china is being honest. what we should be looking at is how we re starting to be a lot more like china, like in the last segment. you say the wrong thing, you can t perform. they change the endings of movies. you can t do this if you re that. somebody was getting into trouble because they had a cuban playing on westside story. so we re seeing it in america. they re like, look what china is doing! we don t have tiananmen square. we have twitter. they ll book your book they ll burn your book, ideas or anything you do. it s a mirror
category in 43 years? moonraker was the last one in 1979. yes, of course. and here is some of the amazing work that went into the film. now your enemy is my enemy. his name is safin. and what does he want? revenge, me. the bond films have a rich heritage of shooting all of their extraordinary action for real. and this film was absolutely no different. there was visual effects in it, but they were not up front and centre. so, for instance, in the norway lake sequence, the production actually went to norway and they filmed on a real lake, a real frozen lake in norway. but as with any production, when you shoot throughout the day, the footage looks different from shot to shot. there was kind of one or maybe two shots, which everyone was happy with the lighting conditions.