comparemela.com

Latest Breaking News On - Betty parsons gallery - Page 2 : comparemela.com

Weinstein Gallery announces Enrico Donati - Prima Materia, an exhibition of early works by the - Artwire Press Release from ArtfixDaily com

Weinstein Gallery announces Enrico Donati - Prima Materia, an exhibition of early works by the - Artwire Press Release from ArtfixDaily com
artfixdaily.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artfixdaily.com Daily Mail and Mail on Sunday newspapers.

British columbiaCity ofUnited kingdomMuseum of modern artNew yorkUnited statesEl salvadorWhite lakeFrance generalSan franciscoNew schoolKay sageLeonora carringtonMarcel duchampHassel smithRudolf bauer

How the New York Waterfront Shaped American Modernism

In The Slip, Prudence Peiffer looks at the role an overlooked neighborhood played in the lives and work of an eclectic set of postwar artists.

Upper west sideNew yorkUnited statesEast riverFrance generalMuseum of modern artGreenwich villageNew yorkerDavid attie gettyDelphine seyrigEllsworth kellyJasper johnsJackson pollockRobert indianaTausif noorHerman melville

It s like an excavation : the powerful black paintings of Pierre Soulages | Art

The French artist’s game-changing use of black paint is being celebrated at a new exhibition to commemorate the first anniversary of his death

New yorkUnited statesRobert motherwellGorvy dayanLeo castelliMark rothkoHelen frankenthallerVenice biennalePierre soulagesArt institute of chicagoFrom midnightBetty parsons galleryArt institute

ELECTRIC AFFINITIES

Molly Warnock on the art of Chryssa

United statesTimes squareNew yorkMuseum of modern artSan franciscoFrance generalPays de la loireGrand central terminalNew york universityLe nouveauSophia larigakisDiane waldmanMolly warnockSam hunterDon stahlMegan holly witko

Molly Warnock on the art of Chryssa - Artforum International

SPEAKING AT NEW YORK UNIVERSITY in January 1968, the artist Chryssa detailed a disposition toward creative practice that she described as the “cool mind.”1 The term served to telegraph, via contrast, her disdain for certain endeavors aimed at bridging art and life all of which, in her view, simply reproduced the disordered flux of the “human pattern.” Of particular concern was what she cast as the fundamentally regressive credo of Happenings, with their freewheeling yet ultimately pointless amalgams of things and deeds: “Let us let things happen.” The cool mind makes things happen, eschewing “

United statesFrance generalNew york universityNew yorkGrand central terminalPays de la loireSan franciscoPenn state universityTimes squareMuseum of modern artPaulo bienalGordon brownDiane waldmanMegan holly witkoHenri matisseSam hunter

vimarsana © 2020. All Rights Reserved.