it was like listening to magic for us. but it was like listening to magic of something that we were also trying to do. so the level of sort of ingrained in our mind of, like, it s actually possible, if we do enough work, to do that. that first moment that you experience that never leaves you. why this one in particular? why is this the one? because.it s.it s not always the one that s chosen by violinists as the obvious one to play, is it? i think it started my lifelong love with brahms. i can t go to a single brahms symphony without crying four orfive times. like, ijust can t do it. it doesn t matter what kind of performance it is, the level of the performance, how many times i ve heard it, it s just. i think there s a quote about brahms that talks about smiling through tears. and i think, er.it s exactly. it s what happens in the coda moment of most of brahms works. just before the very end, you have this little moment that is. it captures his, um.
it s ended up like this, because.it s horrible. you ll make me cry in a minute. it is horrible. is it that upsetting for you to see to see it? mm. it was lovely.and now it s not. it s not progress, is it? they say everything s progress, but it s not. some of those who bought their old council homes have stayed. in the tower blocks, anthony and gloria also took advantage of right to buy. in 2003, they paid £53,000 for their two bedroom flat. you re from sri lanka then? yes. which part?