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You know on her journey back to freedom. You know when you turn to the documentary leave nonregulation returns home on the w. Dont come to tanks. Planes play. This is steve happy new years live from but lead to a new era in green conservative kitty outpost mitchell type is sweeps to victory in the election promising felix taxes and more jobs but can you bring me bring back the days ordinary critics will go live to athens. And the United States all the womens football cup champions they face the netherlands to know in the
final in frogs to lift the trophy for a 4th time to. Play. Hello im christine to the program. The Opposition Conservative Party has won greeces General Election New Democracy they had by talkies took 40 percent of the votes thats according to official results with more than half of the ballots counted governing the left wing syriza party cost 31. 00 and a half percent bringing its full you know role in athens to an end the election was called 3 months after the next su
it was like listening to magic for us. but it was like listening to magic of something that we were also trying to do. so the level of sort of ingrained in our mind of, like, it s actually possible, if we do enough work, to do that. that first moment that you experience that never leaves you. why this one in particular? why is this the one? because.it s.it s not always the one that s chosen by violinists as the obvious one to play, is it? i think it started my lifelong love with brahms. i can t go to a single brahms symphony without crying four orfive times. like, ijust can t do it. it doesn t matter what kind of performance it is, the level of the performance, how many times i ve heard it, it s just. i think there s a quote about brahms that talks about smiling through tears. and i think, er.it s exactly. it s what happens in the coda moment of most of brahms works. just before the very end, you have this little moment that is.
why is this the one? because.it s.it s not always the one that s chosen by violinists as the obvious one to play, is it? i think it started my lifelong love with brahms. i can t go to a single brahms symphony without crying four orfive times. like, ijust can t do it. it doesn t matter what kind of performance it is, the level of the performance, how many times i ve heard it, it s just. i think there s a quote about brahms that talks about smiling through tears. and i think, er.it s exactly. it s what happens in the coda moment of most of brahms works. just before the very end, you have this little moment that is. it captures his, um. like, tragic sadness. and he had so much humour and so much positivity and so much love to give people. brahms, for me, isjust one of the most heartbreaking, um. expressions of that complex human emotion that i ve ever come across.
it was like listening to magic for us. but it was like listening to magic of something that we were also trying to do. so the level of sort of ingrained in our mind of, like, it s actually possible, if we do enough work, to do that. that first moment that you experience that never leaves you. why this one in particular? why is this the one? because.it s.it s not always the one that s chosen by violinists as the obvious one to play, is it? i think it started my lifelong love with brahms. i can t go to a single brahms symphony without crying four orfive times. like, ijust can t do it. it doesn t matter what kind of performance it is, the level of the performance, how many times i ve heard it, it s just. i think there s a quote about brahms that talks about smiling through tears. and i think, er.it s exactly. it s what happens in the coda moment of most of brahms works. just before the very end, you have this little moment that is. it captures his, um.