It can come like uh blind water to you susanin figuratively speaking, leading you nowhere. It can create both anxieties and fears and some kind of exaggeration. Eh, hyperbole. I dont know, even worrying. I would say, of course, its not always so scary, but its worth thinking about. About your sleep, because sleep can be disturbed. It can be very long or, on the contrary, difficult to sleep, and here, first of all, of course, you will need to include logic. Its very difficult here. Heres to catch those rays. Happiness is very difficult. Uh, accept those proposed circumstances no one who come, they contradict these people. Yes, here are the people who were born at this time, because they come in the form of some kind of vague ideas that do not give a way. Not giving this happiness of understanding, it is always as if you are resisting this your world, for example, something amazing happens. And you are not ready, it seems to you that this is something terrible. And for some reason you se
Probably, right . Well, nevertheless , several decades have passed since their introduction , so 79 is the appearance in konstantinovo , so of course they appeared in russia a little earlier, so they were there wonderful teachers to whom Sergei Alexandrovich remained grateful all his life; his spiritual mentor, priest ian yakovlevich smirnov, worked there, to whom he addressed in his poems and considered him a very important person in his life. Yeah, its clear, while we were talking about the fact that, well, its clear without words, well, an absolutely brilliant person, a nugget , well, the treasure of the earthrussian, who just grew straight from these places near og, and then this is what ill ask about, this combination a city dweller, dressed smartly, uh, a stylistically impeccable person, and a person who. Maintains a connection with the village, now we see him in a new look, still the rural remained, authentic, or was it stylized . Well, you know, there are different points of vi
Cover Feature: Sebastian Glück Opus 24 July 20, 2021
Sebastian M. Glück
Vice, virtue, and flexibility
Among the linguistic tics bandied about the organbuilding craft for the better part of a century is “judicious unification,” apologetically implying that the practice is quantifiably evil depending upon the extent of its use and the judgment of the builder. If we dislike the builder, it is dismissed as cheap expediency; if we adore the builder, it is the methodology of a thoughtful and clever artist. Both assessments can be, and have been, accurate. Duplexing (the ability to play a stop from more than one keyboard) and unification (the ability to play a particular stop at more than one pitch) have been in use for more than three hundred years. A century after the cinema organ flourished, many are granting “unit orchestras” absolution as we try to preserve the few that we have yet to destroy, with the expectation that accompanying silent films in