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‘The Hard Crowd’ Reveals Rachel Kushner s Literary Life Through Death Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write ‘Neither tragic nor legendary, I myself will never die,’ writes Rachel Kushner in ‘Made to Burn’. She means that no one will write about her death. Her subjects, though – the rough-housers, activists, nihilists and stoics that people her first nonfiction collection, The Hard Crowd: Essays 2000– 2020 (Simon & Schuster, 2021) – are another story. Her dope-using neighbours from the Tenderloin in San Francisco are dead. So are the bartenders and regulars at the Blue Lamp, a dive where she poured drinks before she moved to New York to be a real writer. Her father-in-law, a lifelong trucker, died at 48, and his trucker brother died, too, still trying to shift gears on his gurney: their deaths haunt the kindness of strangers she encount

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