<i>Black Caesars and Foxy Cleopatras</i> is a definitive account of Blaxploitation cinema the freewheeling, often shameless, and wildly influential genre from a distinctive voice in film history and criticism<br/><br/>In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles’s <i>Sweet Sweetback’s Baadasssss Song</i>, an independently produced film about a male sex worker who beats up cops and gets away, and Gordon Parks’s <i>Shaft</i>, a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. <i>Sweetback </i>upended cultural expectations by having its Black rebel win in the end, and <i>Shaft</i> saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born.<br/><br/>Written by Boston Globe film cri
“Can You Dig It? Exploring Race, Representation and Culture in Blaxploitation Films" is an ISU course where students and others experience films that showcase the Blaxploitation era in American cinema.
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