OVER THE PAST THIRTY YEARS, Mike Nelson has expanded the avant-garde’s long ragpicking tradition. His dense, material work reconfigures the discarded and the obsolete to produce naturalistic installations that subtly reveal their own artifice. The artist’s famously phantasmagoric production avoids didacticism while rousing us from our own ever more dysfunctional neoliberal dreamworld. True to form, Nelson’s survey “Extinction Beckons” at the Hayward Gallery, organized by Yung Ma, was a deliberately off-kilter not-quite-retrospective that was highly self-conscious about its own position within
60 Künstlerinnen und Künstler aus dem In - und Ausland verwandeln in diesen Tagen die ehemalige Buntpapierfabrik in Flöha in ein buntes Gesamtkunstwerk. Damit erlebt das Festival für urbane Kunst ibug seine 16. Auflage.