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Wandering Eye: House Museums, Mummies, and Midriffs - The Magazine Antiques

Since 1922, The Magazine ANTIQUES has been America’s premier publication on the fine and decorative arts, architecture, preservation, and interior design.

Discover New Twists On Tradition In The Philadelphia Show With Online Programs and Offerings From

Email is invalid From Earle Vandekar of Knightsbridge, American Hooked Rug Depicting a Zebra Mounted on Stretcher, Early 20th Century, (Ref: NY9569 - camr). From Moderne Gallery, Room Divider by George Nakashima, 1989. A rare Nakashima form with a finished back. American black walnut with grilled pandanus cloth sliding doors. Signed and dated. 60 wide x 18 deep x 24 high. From Lillian Nassau, (detail) Tiffany Studios Dragonfly Table Lamp, Circa 1906. Leaded glass, pressed glass “jewels,” patinated bronze; 23 in (high). From The Old Print Shop, A Base Ball Game. (Proof with portraits). Painted by Henry Sandham in 1894. Goupil gravure (photogravure), 1896. Printed in Paris and published April 1, 1896 by Boussod Valadon & Co. Successors to Goupil & Co. Image size 38 5/8 x 51 3/4 .

Collectors focus: Tiffany glass | Apollo Magazine

Collectors focus: Tiffany glass | Apollo Magazine
apollo-magazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from apollo-magazine.com Daily Mail and Mail on Sunday newspapers.

Talking antiques: The Winter Show - The Magazine Antiques

Talking antiques: The Winter Show Editorial Staff As exhibitors prepare for the Winter Show’s first-ever virtual event, we asked them to reflect on their past years at the fair or highlight one exceptional object available this January and describe it as they might to an interested collector. Here are their stories and the works of art they chose to share. Bernard Goldberg Fine Arts We mounted a Charles Burchfield and William Hunt Diederich exhibition at a TEFAF fair a few years back, where a dealer visited our booth with images of what he thought might be architectural works by Diederich. The images depicted his classic flat, iron, silhouette animal forms with dozens of whimsical birds and desert plants. Everything looked “right,” but we had never seen anything by the artist on this grand scale. Our research traced the provenance to a 1920s commission for a town house in New York, and when we visited the town house we were able to identify other examples of the artist’s

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