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it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented the whole character. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace, fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that so i am slightly a rough specimen in front of the camera but that is my aim to try to look like i am not being watched. and we conclude this evening with audrey tautou. it is the playfulness of the acting, that is what i really like. i like really concentrating on the p
it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented the whole character. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace, fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that so i am slightly a rough specimen in front of the camera but that is my aim to try to look like i am not being watched. and we conclude this evening with audrey tautou. it is the playfulness of the acting, that is what i really like. i like really concentrating on the p
fight, that is what a scene is about, you have to figure out what the quarter is and give that much energy going for it. and we continue with judi dench. don t think you have got to play every aspect of a part in every scene of a character. you just play one small bit of it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented the whole character. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that
that much energy going for it. and we continue with judi dench. don t think you have got to play every aspect of a part in every scene of a character. you just play one small bit of it, and then the next scene you can concentrate on another and the next and then at the end, maybe you will have presented the whole character. which is a very good tip to learn, because you get so anxious, i was madder than your box of frogs, you know, but i know now i only needed one way of saying she was mad. rose: we continue this evening also with tilda swinton. remain open and free and relaxed and up for it, and it is very difficult, particularly if you are as most of us are, shy, and inclined to put up some kind of carapace, fortunately, i don t have i don t know about the training of proper actors and i think there are all sorts of training that one can go through, .. i have not ever had that so i am slightly a rough specimen in front of the camera but that is my aim to try to lo
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