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Puppets, Purses and Paintings, Too: An Overlooked Artist With Range

Puppets, Purses and Paintings, Too: An Overlooked Artist With Range Sophie Taeuber-Arp blurred the boundaries between fine art and applied art, but died early without the recognition she deserved. A major new exhibition aims to fix that. Sophie Taeuber-Arp, in 1920. She had “a deep and primeval” urge to “make the things we own more beautiful,” she wrote.Credit.Nic Aluf; Stiftung Arp e.V. By Catherine Hickley May 11, 2021 BASEL, Switzerland Just over a century ago, during another pandemic, the Swiss Marionette Theatre in Zurich closed. The play “King Stag” ended its run in September 1918, after three sparsely attended performances. The Spanish flu kept its audience away.

Sophie Taeuber-Arp survey reveals the dizzying range of work by the Swiss artist

Sophie Taeuber-Arp s Composition à cercles et demi-cercles (1938) Arp Museum Bahnhof Rolandseck When Sophie Taeuber took to a Zurich stage in 1917 (long before marrying Jean Arp and, as per Swiss custom, tacking his name onto the end of hers), the Cabaret Voltaire and Dada founder Hugo Ball sat in the audience and watched her dance. He saw a goldfish, darkness, questions, a child, an angel, invention, caprice, wit. “Sophie Taeuber,” he later wrote, “is completely different”. The major survey Sophie Taeuber-Arp: Living Abstractions, which opens this week at the Kunstmuseum Basel, is dedicated to the miraculously unfixable career heralded by that performance. The exhibition will travel to New York’s Museum of Modern Art (MoMA) in the autumn the Swiss artist’s first US survey in 40 years by way of London’s Tate Modern in July. The latter will be a first ever for the British public, which, save for a couple of works on paper in the Vic

Genesis in Black and Red: Miró at MoMA : Art in Print

The Museum of Modern Art, New York 24 Feb 2019 - 15 Jun 2019 Joan Miró, The Birth of the World (1925), oil on canvas, 8 feet 2 3/4 inches x 6 feet 6 3/4 inches. Acquired through an anonymous fund, the Mr. and Mrs. Joseph Slifka and Armand G. Erpf Funds, and by gift of the artist. ©2018 Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris. In Joan Miró’s large canvas The Birth of the World (1925), a handful of solid shapes gambol against a dun background a red circle trailing a yellow line suggests an escaped balloon, a black triangle dangles amid loose framework, a stepped polygon rests below like an anchor. The painting lent its name to a recent exhibition at MoMA that positioned the dreamlike composition as, in Miró’s words, “a sort of genesis” for the artist’s signature style, spawning a visual language that would spill across his paintings, prints and livres d’artistes for decades to come. Curated by Anne Umland, the exhibition followed

The biggest and best art exhibitions opening in 2021

The biggest exhibitions of 2021 While last year was a disaster for exhibition programming around the world, museums and curators have not been idle and there are plenty of ambitious exhibitions due to open this year (virus-related lockdowns notwithstanding). Below you will find some of the must-see shows of 2021, from the Rijksmuseum’s examination of the slave trade and a reassessment of the Roman arch-villain Nero, to landmark retrospectives for Barbara Kruger, Yayoi Kusama, Sophie Taeuber-Arp and Jasper Johns. Many exhibitions will be subject to Covid-19 restrictions please check on the respective museum website before visiting Enslaved man working on the fields (around 1850) by an unknown artist

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