Joe Dante s Divine Comedy: Highs and Lows of Studio Filmmaking filmschoolrejects.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from filmschoolrejects.com Daily Mail and Mail on Sunday newspapers.
Warmth, Wonder, and the Wild Cinematic Shelf Life of The Rocketeer
Look up in the sky! It s a bird! It s a plane! It s one of the most earnest and bizarre superhero movies ever made!
Disney
Wait a minute, the Rocke-who?
If you’re a millennial of a certain age, you probably owe
Joe Johnston a big ole thank you for defining your childhood. He’s the efficient, unpretentious journeyman director of
The Pagemaster, Jumanji, and
Honey, I Shrunk the Kids. Before that, he got his start in Hollywood as a concept designer on the original
Star Wars trilogy.
So maybe it’s no surprise that the guy behind Boba Fett went on to make a whole movie about a jet pack-sporting superhero. And maybe it’s also no surprise that the guy who worked on projects like
The Thief and the Cobbler.
Fan edits raise many of the same problems as directors’ cuts. Perhaps most pointedly: what does it mean for art to be in a constant state of flux? But at the same time, audience-powered edits have the potential to exemplify fan culture at its best.
Harmy’s Despecialized Edition, a fan-created preservation copy of the original
Star Wars trilogy free from
George Lucas‘ retroactive digital tampering, is a genuinely marvelous example of this.
Suffice to say, fan edits aren’t going anywhere. And as more sophisticated software becomes more available, they’re likely to only become bigger and bigger in scope.
Pixar s Secrets for Finding Inspiration
Choice snippets from Pete Docter on how the studio navigates creativity.
Pixar
Welcome to
The Queue your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about Pixar filmmaker and CCO Pete Docter and his thoughts on inspiration.
There’s no fast track to inspiration. Anyone who dabbles in a creative discipline will tell you that. Rich, exciting ideas are rarely forced. So when heavy-hitting creative folks, like Pixar’s
Pete Docter, have insights to share, we’d do well to listen.
Docter began working at Pixar in 1990 on the recommendation of the late Joe Ranft.