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Script to Screen: Visualizing the Turning Point of Portrait of a Lady on Fire

Script to Screen: Visualizing the Turning Point of Portrait of a Lady on Fire
filmschoolrejects.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from filmschoolrejects.com Daily Mail and Mail on Sunday newspapers.

Names, Autonomy, and the Changing Self in Spirited Away

Names, Autonomy, and the Changing Self in Spirited Away
filmschoolrejects.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from filmschoolrejects.com Daily Mail and Mail on Sunday newspapers.

Observations on the Visual Style of Terrence Malick

Observations on the Visual Style of Terrence Malick
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Fake Blood and True Grit: How Sam Raimi Made 1981 s The Evil Dead

Glamor From Above: The Simple Majesty of Dietrich Lighting

Glamor From Above: The Simple Majesty of Dietrich Lighting Lights, camera, Marlene Deitrich. Welcome to The Queue your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the lighting system attributed to Marlene Dietrich, known as Dietrich Lighting. There’s an excellent 1999 documentary by Werner Herzog called My Best Fiend that charts the director’s tumultuous working relationship with the volatile actor Klaus Kinski. In one segment, Herzog recalls a dispute the pair had during the shoot of 1972’s Aguirre, the Wrath of God. Kinski was incensed that Herzog wanted to shoot the staggering peaks of Machu Picchu from a distance. Meanwhile, according to Kinski, the only landscape worth photographing was the human face.

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