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Script to Screen: Visualizing the Turning Point of Portrait of a Lady on Fire
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Names, Autonomy, and the Changing Self in Spirited Away
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Observations on the Visual Style of Terrence Malick
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Glamor From Above: The Simple Majesty of Dietrich Lighting
Lights, camera, Marlene Deitrich.
Welcome to
The Queue your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on the lighting system attributed to Marlene Dietrich, known as Dietrich Lighting.
There’s an excellent 1999 documentary by Werner Herzog called
My Best Fiend that charts the director’s tumultuous working relationship with the volatile actor Klaus Kinski. In one segment, Herzog recalls a dispute the pair had during the shoot of 1972’s
Aguirre, the Wrath of God. Kinski was incensed that Herzog wanted to shoot the staggering peaks of Machu Picchu from a distance. Meanwhile, according to Kinski, the only landscape worth photographing was the human face.