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San Diego Padres, Los Angeles Dodgers set stage for memorable summer

San Diego Padres, Los Angeles Dodgers set stage for memorable summer play Padres make monster comeback late to take down Dodgers in extras (2:27) The Padres rally in the ninth inning to force extra innings, then score the go-ahead run on an Eric Hosmer sacrifice fly as they take down the Dodgers 8-7 in 11 innings. (2:27) Previously covered the Angels for MLB.com LOS ANGELES It seemed as if Sunday s finale, the seventh game in 10 days between the San Diego Padres and the Los Angeles Dodgers, would finally produce the first dud of this exhilarating matchup. The Dodgers led by six runs, and the Padres were down to their last nine outs, entering the final three innings of a grueling stretch that consisted of 17 games in 17 days.

KXNG Crooked talks his own unreleased Dear Mama track on 25th anniversary of 2Pac s All Eyez On Me

KXNG Crooked. CREDIT: Press Rapper KXNG Crooked has shared his thoughts on 2Pac’s ‘All Eyez On Me’ to marks the album’s 25th anniversary today (February 13), as well as revealing to NME that he has an unreleased track that has a special connection to the legendary rapper. Crooked, who has worked with the likes of Eminem, Kendrick Lamar and Snoop Dogg, called the Death Row Records album a “multilayered” project “packed full of all the messages we love hip-hop for”. “‘All Eyez On Me’ allows listeners to experience hip-hop on a number of different levels,”  Crooked told NME of the album, which features the hits ‘California Love’, ‘How Do U Want It’ and ‘2 Of Amerikaz Most Wanted’. “From an underground level, to a mainstream level, to a cultural level, it’s such a multilayered album.

Every Song on Tupac Shakur s All Eyez on Me Album Ranked

All Eyez on Me, an album that helped define both a genre and his own career. As brazen as it was ambitious it was hip-hop s first double album, his fourth LP overall the project is coated with winding West Coast synths, shameless boasts, death threats and thug life aphorisms. The LP showcases ’Pac in all of his Gemini multitudes, bigger, bolder and better. He could be vengeful one moment, as demonstrated on Ambitions Az a Ridah and When We Ride, and touching the next, displayed on I Ain t Mad At Cha. The contradictions weren t new; he d been flipping the switch since his 1993 LP,

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